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Saturday 22 October 2011

Reading 'Emma' by Jane Austen


As she was writing 'Emma' Austen may have had little idea that this would be the last novel published in her lifetime, but she was certain about one thing: "I am going to take a heroine whom no one but myself will much like." She undeniably succeeded - the best thing about Emma is that she is such a caricature. She feels she has a right to interfere with people's lives and is always right. Even when she is shown the catastrophic consequences of her actions, she still doesn't learn. Unfortunately this means when Austen gives her a happy ending, it feels both anti-climatic and, in want of a better word, undeserving. She is not deliberately mean and she clearly has the best intentions, but Austen's biased favour for her character does mean Emma is intolerable at times.

However the overall tone is one of frivolity, well for the 19th Century anyway, which allows for some forgiveness for the melodramatic aspects of the novel. The characters are all lively and make many humorous quips. Indeed, it is in the dialogue that Austen is at her finest. Each character has a distinct way of speaking, which writers often find difficult to achieve. Miss Bates' babble in particular stands out, often filling a whole page on absolutely nothing; by far my favourite character. This is probably because all the rest are generally snobs, albeit entertaining ones. There are many of them, and almost all of them have their own sub-story. As such this means that it is sometimes difficult to keep track of the more minor characters, but they are usually not very involved in the plot. And there is the major fault I have - the plot.

I have already expressed my disappointment with the ending, but actually it doesn't feel like an ending. The whole story is just a series of events, based around the social occassions of the village. As such if you have no investment in the characters, the novel will become unbearable. As with any social occassion, there is much organisation required and Austen spends far too much time explaining the meticulous preparations. Even though the events themselves are of some interest, like when you know the secrets to a trick, they lose the initial impact. The romances between the characters are also drawn out a bit too much, which is a shame: particularly as when the characters discuss these relationships, Austen's flair for dialogue provides some biting commentary and luscious imagery,

To Austen's credit, she doesn't openly state, as narrator, 'Aren't these characters ridiculous?'; she simply shows us their attitudes and behavior, and allow us to draw our own conclusions. Personally, I enjoyed it's light touch and lack of overarching drama. As my first Austen, it wasn't too overwhelming but I did feel that because of when it was written (1816), it's lightness feels excessive nowadays and uses more words than perhaps seems necessary to tell the story.

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